Australian Financial Review clarifies who it’s not for, attracts desired audience

By Aimie Rigas

Nine

Sydney, New South Wales, Australia

For decades, the Australian Financial Review (AFR) has been the authoritative leader in business and finance news in Australia.

But our market research showed a rising tension:

While people respected the AFR as high quality and credible, it was sometimes perceived as “medicine” (a direct quote from a reader!), something you should take because it’s good for your career.

The brand has become synonymous with its tag line, the “Daily Habit of Successful People,” but that definition of success has traditionally been viewed through a narrow, corporate lens: the C-suite, ASX 200 executives, and professionals in glass offices.

Our research told us we needed to shift success from a place, like the boardroom, to an attitude: the success mindset.

Enter our new brand platform: “It’s Not For Everyone.”

The power of this positioning is its honesty. By admitting the AFR isn’t for everyone, we are doubling down on exactly who it is for.

The campaign aims to do three things:

  1. Future-proof growth by broadening the brand’s appeal beyond the heartland to attract emerging, entrepreneurial audiences.
  2. Prove value by demonstrating the AFR’s role in helping audiences realise their ambitions across every aspect of their life.
  3. Build a community of loyal super fans by tapping into a shared mindset and deepening their emotional connection to the brand.

Ambition doesn’t look the same for everyone

Through deep collaboration with our newsroom and research into our audience, including weekly WIPs (work-in-progress discussions) with editors, we realised the thread uniting our super fans is their drive for progress versus their job title.

This includes the emerging generation of leaders, which include entrepreneurial people younger than 45 who are focused on wealth generation and personal growth, regardless of their industry.

Our audience data has shown wealth stories are among the most efficient at convincing readers to subscribe. They make up half of AFR’s top 20 converting stories so far this year.

Executing the idea

The creative expression of this campaign is intentionally gritty. It juxtaposes high-status outcomes with the demanding reality of achieving them. Our hero creative doesn’t just feature the corporate leader (though she is there), it also features the:

  • AI developer enduring “thousands of hours building a start-up” for that one moment it all pays off.
  • Fashion designer understanding it takes “more than style” to crack an industry.
  • Property developer seeing an opportunity for the “next round” long after the last call for drinks.
  • Farmer proving that turning sweat and soil into a business takes far more than just early mornings.

When brand becomes a signal

The research pointed to a simple idea: The AFR is strongest when it is unapologetically itself.

There’s a confidence required in that kind of positioning. It assumes the right audience will recognise themselves in it — and they have.

Subscribers are more engaged than ever, and our non-subscriber audience is growing. When news brands globally are seeing a decline in search referrals, the AFR is bucking that trend, even with a paywall and A$75 per month price tag.

AFR journalists are proud of their masthead, and the campaign leans into this assured identity. One of the clearest signals came from something small.

We created a set of merchandise for the newsroom to celebrate the launch, including hats, totes, and stickers. Journalists started wearing the hats. Their networks began asking for them. Stickers moved through offices, into conversations, and out into the world.

It became obvious that, for many people, the AFR is more than a publication. It’s a way of signalling how you see the world.

You can’t manufacture that kind of affinity. But you can foster it by being clear about who you are.

Early signals are strong

It’s still early. The campaign launched on February 16, and we’re awaiting our full campaign evaluation, but the initial signals are encouraging.

As well as millions of completed video views across platforms, we’ve seen a huge uplift in new subscribers directly attributable to the brand campaign. This is rare given the purpose of this work was to broaden appeal, not necessarily to immediately convert.

According to Meta’s brand lift study, ad recall is currently tracking at twice the APAC benchmark. We’ve seen a 9.6 point increase in “very likely” to subscribe, demonstrating the creative’s impact on difficult-to-influence audiences.

More telling, perhaps, is the response from the audience the AFR already serves well. Subscriber engagement is deepening. Our core audience is seeking us out when they need the world explained to them the AFR way.

There’s a natural instinct in the media to chase scale. More reach. Broader audiences. Softer edges.

The more we looked at the data for The Australian Financial Review, the more it became clear that this instinct, while understandable, was the wrong one for us. The AFR is not for everyone, and that is its strength.

About Aimie Rigas

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